{"id":26453,"date":"2025-12-06T12:17:33","date_gmt":"2025-12-06T11:17:33","guid":{"rendered":"https:\/\/napex.art\/?post_type=cpt_portfolio&p=26453"},"modified":"2026-07-09T15:19:37","modified_gmt":"2026-07-09T13:19:37","slug":"napex-241066","status":"publish","type":"cpt_portfolio","link":"https:\/\/napex.art\/en\/artwork\/napex-241066\/","title":{"rendered":"Napex 241066"},"content":{"rendered":"
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Napex 241066<\/span><\/strong><\/h3>\n

Single Edition 160×240 cm<\/span><\/h4>\n

Fine Art print Hahnem\u00fchle<\/span><\/h4>\n

MARIO AMURA | 2024<\/span><\/h4>\n<\/div>\n\n\n
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\"NAPEX
NAPEX 241066 – Napoli Explosion – Mario Amura<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div>\n\n\n

Here the light becomes softer, muffled, and floral echoes surface, as in Monet\u2019s Nympheas, dazzled by the blindness that threatened him. In a firework display, do we all really see the\nsame shapes? Is it the artist\u2019s gaze, or lens, that opens a window onto an infinitely vaster spectacle, that of his chromatic and pictorial memory? Photography carries with it the legacy of painting: that ancient gesture of the painter who, since the Renaissance, conceived the image as a window open onto the world.Napex 241066<\/span><\/em><\/p>\n

Sylvain Bellenger<\/em><\/a><\/p>\n\n\n

\"Napoli
Napoli Explosion – Mario Amura<\/figcaption><\/figure>\n\n\n\n
\"NAPEX
NAPEX 241066 – Napoli Explosion – Mario Amura<\/figcaption><\/figure>\n\n\n\n
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