DITTICO NAPEX 21213 LIMITED

Napex 21213 Napoli Explosion

In this photo there are intersecting circles. We no longer have any notion of horizontality or verticality. Everything is centrifugal and there's a trace that repeats from from circle to circle. We see greens, reds, blacks and blue. Painting has never produced anything like this. Even in the most kinetic effects of painting I’ve never seen such effects. It's astonishing how your photographs still bring painting to mind. Napoli Explosion

Sylvain Bellenger

Napoli Explosion

The window of my bedroom overlooked Mount Vesuvius, and every morning, with reverence, I whispered a good morning to it as one would address a slumbering person, afraid of awakening them. The volcano is a living presence for anyone living at its slopes. For over 12 years, on New Year's Eve, my team and I ascend Mount Faito, a mountain overlooking the Bay of Naples, to capture the extraordinary choreography of lights and colors produced by fireworks all around Vesuvius. Through this superstitious and propitiatory ritual, the people of Naples welcome the new year. The image of the black and silent silhouette of the volcano submerged by the cacophony of fireworks' colors seemed to me a representation that needed to be explored seriously and viewed from different perspectives. Over the years, the project has evolved into an experimentation of new forms of writing with light, using a unique color palette provided by the hundreds of thousands of fireworks exploding simultaneously. Over time, Napoli Explosion has become a work in search of the feeling of light.

Mario Amura

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